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In this original and interdisciplinary work, Jing Tsu advances the notion of “literary governance” as a way of understanding literary dynamics and production on multiple scales: local, national, global. “Literary governance,” like political governance, is an exercise of power, but in a “softer” way - it begins with language, rather than governments. In a globalizing world characterized by many diasporas competing for recognition, the global Chinese community has increasingly come to feel the necessity of a “national language,” standardized and privileging its native speakers. As the national language gains power within the diasporic community, members of the diaspora become aware of themselves as a community. Eventually, they move from the internal state of awakened identity to being recognized as a community, and finally exercising power as a community. But this hegemony of the “national language” is constantly being challenged by different, nonstandard language uses, including various Chinese dialects, multiple registers, contested alphabet usage, and Chinese men and women who write in foreign languages. “Literary governance” reflects both the consensus-building power and the inherent divisiveness of these debates about language and is useful as a comparative model for thinking about not only Sinophone, Anglophone, Francophone, Lusophone, and Hispanophone literatures, but also any literary field that is currently expanding beyond the national.
Chinese literature --- Chinese diaspora in literature. --- Chinese in literature. --- History and criticism. --- China --- In literature. --- Chinese diaspora in literature --- Chinese in literature --- S15/0200 --- S16/0170 --- History and criticism --- China: Language--General works --- China: Literature and theatrical art--General works on modern literature
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Anger is found everywhere in the ancient world, starting with the very first word of the Iliad and continuing through all literary genres and every aspect of public and private life. Yet it is only recently, as a variety of disciplines start to devote attention to the history and nature of the emotions, that Classicists, ancient historians and ancient philosophers have begun to study anger in antiquity with the seriousness and attention it deserves. This volume brings together a number of significant studies by authors from different disciplines and countries, on literary, philosophical, medical and political aspects of ancient anger from Homer until the Roman Imperial Period. It studies some of the most important ancient sources and provides a paradigmatic selection of approaches to them, and should stimulate further research on this important subject in a number of fields.
Classical literature --- Anger in literature. --- Anger --- Indignation --- Madness --- Wrath --- Rage --- Emotions --- Temper --- History and criticism. --- Anger in literature --- History and criticism --- Arts and Humanities --- History --- Greece --- Rome --- Classical literature - History and criticism. --- Anger - Greece. --- Anger - Rome.
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78.36 --- Corridos --- Folk songs, Spanish --- Women in literature --- Spanish ballads and songs --- Spanish folk songs --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism
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The first book-length study of the oriental tale in England since 1908, Fabulous Orients is an original work of criticism which illustrates the centrality of narratives of and from the eastern territories of Turkey, Persia, China, and India in the formation of the novel and constructions of western identity in a culture on the threshold of empire. - ;Narrative moves. Stories migrate from one culture to another, over vast distances sometimes, but their path is often difficult to trace and obscured by time. Fabulous Orients looks at the traffic of narrative between Orient and Occident in the eig
English literature --- Orientalism in literature. --- Exoticism in literature. --- Asian influences. --- History and criticism. --- Oriental influences --- Middle East --- Orient --- Asia --- Asia, South West --- Asia, Southwest --- Asia, West --- Asia, Western --- East (Middle East) --- Eastern Mediterranean --- Fertile Crescent --- Levant --- Mediterranean Region, Eastern --- Mideast --- Near East --- Northern Tier (Middle East) --- South West Asia --- Southwest Asia --- West Asia --- Western Asia --- In literature. --- Exoticism in literature --- Orientalism in literature --- 820 "16/17" --- 82.04 --- S16/0700 --- 82.04 Literaire thema's --- Literaire thema's --- 820 "16/17" Engelse literatuur--?"16/17" --- Engelse literatuur--?"16/17" --- Asian influences --- History and criticism --- China: Literature and theatrical art--Comparative literature
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In a highly accessible style, The Roman Mistress makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition and cultural studies.
Feminism and literature --- Feminism and motion pictures. --- Love poetry, Latin --- Man-woman relationships in literature. --- Man-woman relationships in motion pictures. --- Mistresses --- Sex role in literature. --- Women and literature --- Women in motion pictures. --- History and criticism. --- Feminism and motion pictures --- Man-woman relationships in literature --- Man-woman relationships in motion pictures --- Sex role in literature --- Women in motion pictures --- Motion pictures --- Lovers (Mistresses) --- Concubinage --- Paramours --- Motion pictures and feminism --- Literature --- History and criticism --- Women authors --- Cleopatra, --- Messalina, Valeria, --- Messallina, Valeria --- Messallina, Valeria, --- Kleopatra, --- Kliyūbātrā, --- Kilyūbātrā, --- Cléopatre, --- Kiḷiyōpātrā, --- Cleopatra --- In literature. --- In motion pictures. --- Women in literature. --- Sex role in motion pictures. --- Latin love poetry --- Latin poetry --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature and feminism
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Queens --- Reines --- Biography. --- Biographies --- Berenice, --- In literature --- Egypt --- Egypte --- History --- Histoire --- Bérénice II (reine d'Egypte ; 0270?-0221 av. J.-C.) --- In literature. --- Bérénice --- Queens - Egypt - Biography --- Berenice, - Queen, consort of Ptolemy III, King of Egypt, - approximately 270 B.C.-221 B.C. --- Berenice, - Queen, consort of Ptolemy III, King of Egypt, - approximately 270 B.C.-221 B.C. - In literature --- Egypt - History - 332-30 B.C.
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Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. Mortuary Landscapes of North Africa is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community, imperial influence, and sacred space. Based on a wealth of material research from current fieldwork, this collection of essays investigates how North African funerary monuments acted as regional boundaries, markers of identity and status, and barometers of cultural change. The essays cover a broad range in terms of space and time - from southern Libya to eastern Algeria, and from the seventh century BCE to the seventh century CE. A comprehensive introduction explains the importance of the 'landscape perspective' that these studies bring to North African funerary monuments, while individual case-studies address such topics as the African way of death among the Garamantes, the ritual reasons for the location of certain Early Christian tombs, Punic burials, Roman cupula tombs, and the effects of rapid state formation and imperial incorporation on tomb builders. Unique in both scope and perspective, this volume will prove invaluable to a cross-section of archaeological scholars.
Burgerrecht in de literatuur --- Citizenship in literature --- Citoyenneté dans la littérature --- Gedaanteverwisseling in de literatuur --- Jeunes hommes dans la littérature --- Jongemannen in de literatuur --- Metamorphose dans la litterature --- Metamorphosis in literature --- Seksualiteit in de literatuur --- Sex in literature --- Sexe dans la littérature --- Young men in literature --- Citizenship in literature. --- English poetry --- Erotic poetry, English --- Metamorphosis in literature. --- Sex in literature. --- Young men in literature. --- Roman influences. --- History and criticism. --- Burial --- Sepulchral monuments --- Tombs --- Funeral monuments --- Funerary monuments --- Graves --- Gravestones --- Memorial tablets --- Tablets, Memorial --- Tombstones --- Monuments --- Burial customs --- Burying-grounds --- Interment --- Archaeology --- Public health --- Coffins --- Dead --- Funeral rites and ceremonies --- Grave digging --- Ovid, --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Ovidius Naso, Publius. --- Appreciation --- Influence. --- English erotic poetry --- History and criticism --- Monuments funéraires --- Tombeaux --- Sépulture --- Ovid --- Influence --- England --- Early modern, 1500-1700 --- Erotic poetry [English ] --- Roman influences --- Sepulchral monuments - Africa, North --- Tombs - Africa, North --- Burial - Africa, North --- Metamorphoses (Ovid) --- England. --- North Africa. --- P. Ovidii Nasonis Metamorphoses (Ovid) --- Metamorphoses (Ovidius Naso, Publius) --- Publii Ovidii Nasonis Metamorphoseos liber (Ovid) --- Publii Ouidii Nasonis Metamorphoseos liber (Ovid) --- Metamorphoseos liber (Ovid) --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Africa, North --- Barbary States --- Maghreb --- Maghrib
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What activities did the women of ancient Greece perform in the sphere of ritual, and what were the meanings of such activities for them and their culture? By offering answers to these questions, this study aims to recover and reconstruct an important dimension of the lived experience of ancient Greek women. A comprehensive and sophisticated investigation of the ritual roles of women in ancient Greece, it draws on a wide range of evidence from across the Greek world, including literary and historical texts, inscriptions, and vase-paintings, to assemble a portrait of women as religious and cultural agents, despite the ideals of seclusion within the home and exclusion from public arenas that we know restricted their lives. As she builds a picture of the extent and diversity of women's ritual activity, Barbara Goff shows that they were entrusted with some of the most important processes by which the community guaranteed its welfare. She examines the ways in which women's ritual activity addressed issues of sexuality and civic participation, showing that ritual could offer women genuinely alternative roles and identities even while it worked to produce wives and mothers who functioned well in this male-dominated society. Moving to more speculative analysis, she discusses the possibility of a women's subculture focused on ritual and investigates the significance of ritual in women's poetry and vase-paintings that depict women. She also includes a substantial exploration of the representation of women as ritual agents in fifth-century Athenian drama.
Greek literature --- Rites and ceremonies in literature --- Religion and literature --- Women --- Women and literature --- Rites and ceremonies --- Religion in literature --- Women in literature --- History and criticism --- Religious life --- Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Godsdienst in de literatuur --- Religion dans la littérature --- Rites et cérémonies dans la littérature --- Ritussen en ceremoniën in de literatuur --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Religion in drama --- Religion in poetry --- Literature --- Literature and religion --- Moral and religious aspects --- Greece --- Rites and ceremonies in literature. --- Religion in literature. --- Women in literature. --- History and criticism. --- Greek literature - History and criticism --- Religion and literature - Greece --- Women - Religious life - Greece --- Women and literature - Greece --- Rites and ceremonies - Greece --- Women - Greece --- ancient greece. --- ancient history. --- antiquities. --- archaeology. --- athens. --- classicism. --- community. --- domesticity. --- drama. --- female sexuality. --- feminist theory. --- folkore. --- gender roles. --- gender studies. --- gender. --- greek art. --- greek drama. --- greek literature. --- greek women. --- greek world. --- hellenism. --- literary criticism. --- mythology. --- nonfiction. --- patriarchy. --- religion. --- rite. --- ritual. --- sacred. --- seclusion. --- sexuality. --- theater. --- theatre. --- theology. --- tradition. --- vase painting. --- women and religion. --- women. --- womens poetry. --- womens studies.
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This collection of essays examines the vogue for games and game playing as expressed in art and literature in sixteenth- and seventeenth-century Europe. Focusing on games as a leitmotif of creative expression, these scholarly inquiries are framed as a response to two main questions: how were games used to convey special meanings in art and literature, and how did games speak to greater issues in European society? In chapters dealing with chess, playing cards, board games, dice, gambling, and outdoor and sportive games, essayists show how games were used by artists, writers, game makers and collectors, in the service of love and war, didactic and moralistic instruction, commercial enterprise, politics and diplomacy, and assertions of civic and personal identity. Offering innovative iconographical and literary interpretations, their analyses reveal how games 'played, written about, illustrated and collected' functioned as metaphors for a host of broader cultural issues related to gender relations and feminine power, class distinctions and status, ethical and sexual comportment, philosophical and religious ideas, and conditions of the mind.
Iconography --- Recreation. Games. Sports. Corp. expression --- Thematology --- History of civilization --- History of Europe --- art [fine art] --- games --- literature [writings] --- anno 1500-1599 --- anno 1600-1699 --- Games in literature --- Literature, Modern --- Games in art --- Art, Modern --- Art --- History and criticism --- History --- Games in literature. --- Games in art. --- Art, Modern. --- Literature, Modern. --- 1400-1699. --- History and criticism. --- Game theory. --- Games, Theory of --- Theory of games --- Mathematical models --- Mathematics --- Cards. --- Chess. --- Dice. --- Early Modern social history. --- Game Play. --- art [discipline] --- literature [documents]
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La chevalerie présente deux acceptions, l’une sociale et l’autre idéologique. D’une part, le groupe aristocratique des combattants à cheval, et d’autre part les valeurs qui lui imposent des comportements spécifiques. Devons-nous la mêler inextricablement au christianisme ? Les penseurs des XIIe et XIIIe siècles justifient la prépondérance sociale des chevaliers par le péché d’Adam et la rupture de l’harmonie originelle qu’il entraîne. Ils considèrent que les miles — « élu parmi mille », selon l’étymologie d’Isidore de Séville — ont pour vocation divine de défendre le faible et de faire régner la justice, instaurant par les armes la paix. Cette théologie politique marque l’évolution de l’adoubement, qui emprunte alors à l’onction royale et aux sacrements chrétiens bien des éléments de son rituel. En recevant l’épée, dûment bénie, et la colée, le nouveau chevalier intègre un ordre, tout comme le clerc est ordonné. La prédication lui rappelle les devoirs spécifiques de l’état qu’il vient d’adopter, en particulier de mitiger sa violence et d’exercer sa puissance avec droiture et modération. Elle l’encourage à partir en croisade pour défendre la Chrétienté. Jusqu’aux années 1990, dans leurs analyses sur la chevalerie, les historiens ont repris la trame du discours normatif des clercs, que nous venons brièvement de présenter. Ils ont tenu pour vraisemblable l’influence extérieure de l’Église dans la mitigation de la violence nobiliaire, grâce à l’influence sur le code chevaleresque de la Paix de Dieu et plus largement du message évangélique. Depuis les vingt dernières années, d’autres spécialistes remettent en cause ce modèle, remarquant la nature idéale des discours des clercs médiévaux sur la chevalerie, qu’il conviendrait de déconstruire. Ils adoptent l’anthropologie culturelle pour méthode afin de conclure que, tout au long du Moyen Âge et de façon endogène, la société guerrière produit ses propres codes de conduite pour épargner les vies de ses membres dans les…
Chevalerie --- Chivalry - Religious aspects --- Chivalry --- Knights and knighthood --- Civilization, Medieval --- Chivalry in literature --- Chevaliers et chevalerie --- Civilisation medievale --- Chevalerie dans la litterature --- Religious aspects --- History. --- History --- Aspect religieux --- Histoire --- Europe --- Church history --- Histoire religieuse --- Civilisation médiévale --- Chevalerie dans la littérature --- Moyen Âge --- chevalerie --- christianisme --- Chrétienté médiévale --- civilisation médiévale
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